HEURTMAS (2016), the second in the series Fourteen, Auxiliary, considers the trappings of dependence through a close reading of the Comte de Lautréamont's Les chants de Maldoror, along with Georges Bataille's L'expérience intérieure. It is a three-channel work divided into six parts, and the final segment is a Western. The work was exhibited at the Moving Image Research Lab (McGill University) in 2015, and Sala Rossa in 2016.​